
John Lackey and Jered Weaver will pitch in Anaheim, Joe Saunders and Scott Kazmir to pitch in Boston, with Ervin Santana available out of the bullpen.
Sox should still be embarrassed about Fallon + this movie.
A man and a team.
Every time I go to a game, I am still amazed by the crisp, clean, whiteness of the uniforms. The foul lines, too. And I always forget how they throw to each other in between innings, just to stretch out the arm. The 1st Baseman does that hard underhanded toss that takes a few skips and then is fielded with a clean “thwop” by the shortstop and gunned back to from where it came. Even the outfielders play toss and catch. Either the rightfielder or leftfielder needs to borrow someone form the bullpen to throw with. The players run wind sprints up the leftfield line. Bats, balls, batting gloves. Peanut shells are crunching underfoot. Even the umpires are a spectacle. This was back when they still wore the maroon velure jackets. Now it’s sort of a boring grey shirt with a number on it, but I would take it! I love uniforms, and logos. Colors, logos and options. The foul pole is a bright yellow. The road uniforms of the Phillies are red. The Mets sport Blue and Orange. White with Blue pinstripes.
Open the program. Check the scoreboard for the starting lineups. The PA announcer will guide you, but if you get lucky, it is already posted. Put that pencil to work. They give you the little one, but I bring a big one with an eraser. Later, when I would do the cross country trip and see the stadiums, I would visit Jacobs Field. They, in fact, post the actual written lineups on an actual paper on the stadium wall. That is old school.
INT. GEOFFREY'S RESTAURANT - EVENING
The set of the hit cable television show "Best Cook". A row of five COOKS are lined up in matching white jackets. The one whose jacket reads Phineas is actually The Gooch.
Various CREW MEMBERS do jobs in the background, rigging lights, checking sound levels, etc.
The STAGE MANAGER calls out the countdown.
CUT TO:
Chef Geoffrey, and his co-host, the gorgeous LADMA PAKSHI.
Gooch can see them from behind from his angle, and it is
quite clear that Geoffrey's hand is on Ladma's ass.
Gooch scans the audience, Tara sits in one of the first few rows.
LADMA PAKSHI
For our last challenge, your
assignment was to make a dish
starting with each letter of the
alphabet.
CHEF GEOFFREY
Indeed. And tonight, one of you
will win the challenge, and one of
you will be asked to bundle up his
forks and say Tally Ho.
LADMA PAKSHI
Leslie...
Camera goes to a tough looking FEMALE COOK.
LADMA PAKSHI (CONT'D)
You were ok from "A" through "D".
We particularly liked your Devils
Food cake.
CHEF GEOFFREY
That was spot on. Well done.
However, we had a big problem with
the endive in dillweed vinagriette.
LADMA PAKSHI
I felt like I was eating bunny
rabbit food.
CHEF GEOFFREY
Right, yes. Off of the cage floor.
LADMA PAKSHI
But even worse, was.....
CHEF GEOFFREY
Phineas. What were you thinking?
A beat.
CHEF GEOFFREY (CONT'D)
Answer me, you donkey! You whale!
Gooch remembers that he is Phineas.
GOOCH
You talking to me, Brosenberg?
CHEF GEOFFREY
I am addressing you, knave, and you
are to address me as Chef Geoffrey.
GOOCH
Oh right, yeah. Chef Jeff.
The crowd chuckles a bit. A startled Tara begins to realize
what is going on - that Phineas is the Gooch.
LADMA PAKSHI
You were fine until we got to M.
And then your take on Marsala...
Clearly you are not Italian.
GOOCH
Woah... hold on a second!
CHEF GEOFFREY
You do not speak in my kitchen
until further notice.
GOOCH
Fuck you. You're a douche and a
crap cook to boot.
A hush falls over the crowd.
GOOCH (CONT'D)
You stole all your recipes from
David Bournais. Every chef in
America knows that.
LADMA PAKSHI
Security!
Lights go up, general hubub.
CHEF GEOFFREY
Out. Get him out! You, Goochman,
are a bloody wanker!
LADMA PAKSHI
Can we edit out the last part? Or
even that whole segment?
The director of telemarketing rapped on the white greaseboard.
“OK. Can I have your attention, please? Please, stay off the phones. Please! You know, when I say get off the phones, it is because I have some very important information that I need to give you. You don’t just continue to talk. You can call your lover after the shift. I wait to call Takahashi, because he knows I am working. Your job is to sell subscriptions to the Arena Theatre. Not to find out if your lover wants you to pick up some milk. Do that on your own time.
First off, I have some FYI stuff. “Cabaret” with Brooke Shields is currently going out on the road. This has just been announced to the press. It is confirmed. Now, that brings me to a very important point. Some of you callers are telling customers unconfirmed rumors as if they are fact. For example, somebody in this room is saying that Christine Baranski is definitely going to be in “The Man Who Came to Dinner”. This is unconfirmed! Unconfirmed! Why do you say it? Why? I got two calls today from some angry Lesbos saying that someone is telling them that Christine Baranski is going to be in “The Man Who Came to Dinner”. Now I know from my market research that one call equals fifty people. In other words, one hundred people now think this to be true. So this is a big big major problemo! If I walk by and hear somebody saying that Christine Baranski is going to be in “Man who Came to Dinner”. I will hang up your phone on you right there! Hang it up!
Now we are going to talk about sales. That is to say, lack of sales. This is pathetic. You know my very easily attainable quota for subscription sales in this room is fifteen sales a week. Which is nothing. If you can’t get fifteen sales a week with the great package that we have, then you shouldn’t be working here. You should bow out gracefully and spare me the embarrassment of having to fire you first. It won’t mean that you are a bad person. It will just mean that you are not cut out for this line of work. We will say goodbye and good luck, and you can go get a job at TicketMaster taking orders and making seven dollars an hour. I’m sure they’d be glad to have you.
Fifteen sales a week. Fifteen. One five. That’s three a night. That’s less than one an hour. Henry here does that in one night! God knows what he does in his spare time, but when he is here he sells. He makes it work for him. I think I know what the problem is, and your lack of response when I was trying to get your attention at the beginning of the shift just a little while back was a good indicator. Lack of focus. This is not an eight hour job. This is a four hour job. We do not wind down here. We wind up. We work from 5 PM to 9 PM. The last hour is the best hour for sales. I have told you this a million times. So, thusly, when I see callers at 8:45 rifling through your bags, going to the bathroom for Godsakes, it baffles me to no end. Why would you do this? You’re shitting on yourself, and, worse, you’re shitting on me!
You have a great package to sell. You have a great great package to sell. “The four play classic sampler”. That’s a term which I made up to help you, and you’re not even using it. I am the boss and I am very smart and you need to listen to me. “Four play classic sampler”. A comedy, a drama, a classic and a musical. The package is unbelievable. My God. These people think that they are going to get “1776” at the box office? No. No. No thank you, Jose. If they say, “I’m going to get ‘1776’ at the box office”, what do you say? You say, “Well you can take your chances, Mrs. Jones, but it’s very, very unlikely. Now, how many subscriptions did you want?” And that’s what you do, you assume the sale. You don’t say, “Is that okay?” or “Do you think maybe perhaps you might want to buy this?” NO! That is so weak. It makes me cringe. I walk by your desks and you sound so meek, like little baby lambs. You need to be aggressive, powerful, like warriors. You say, “How many subscriptions do you want? Four? Great. That’s four subscriptions at $150 each for a total of $600. Now, did you want to put that on your Visa, Mastercard or American Express?” Then you take the numbers down, and then you REPEAT the numbers! You go, “OK, 4344 5647 9899 0352, expiration?” Then you say, Let me see if I have that right, Mrs. Jones, that was, “4344 5647 9899 0352. Great. Have a great season.” I’m tired of the cards coming back as invalid because YOU didn’t repeat the numbers. I am not a secretary here to correct your mistakes. I am not a secretary.
You see, the thing about sales, is that they’re like life. If you can’t go for what you want, you will never amount to anything. I was a performer like you. And, yes, the rumors are true. I toured “The Music Man” with George Wendt. But, I decided that I wanted to make money. Settle down with my husband, Takahashi. And, so, I got into fund-raising. My first night I got a thirty – five hundred dollar contribution. And I never looked back.
One more thing: the coffee area is a disaster. We are not your maids. I am not a maid. I am very busy, Pierre is very busy. We are not going to clean up after you. Please, have some decency. If this problem is not rectified, we are going to take away coffee privileges and that will be that.
Now, get on the phones and SELL! Thank you.”
The meeting was over.